Monday, August 22, 2016

An Air of Mystery

One storytelling technique I love is when you don't see the bad guy or monster at all, or until he very end. If done right, this can really amp up the suspense.

I thought of this when I read Junot Diaz's short story Monstro from the Wastelands2 anthology. The "monster" of the title is only referred to obliquely in the story, so the tension and intrigue just keep ratcheting up throughout the story.

In movies, one of my favorite examples of this technique is Cloverfield. We only get brief glimpses of the creature at the end, and thankfully the special effects are up to snuff to make the monster as terrifying as we imagined.

In both of these examples, the focus of the story is not so much on the monster but in the relationships of the people dealing with it. There's probably something to that. But in both cases, the creatures definitely make their presence felt.


Do you have any favorite examples of this technique?

No comments:

Post a Comment